INSPIRATIONAL LECTURE by EMMA DAVIE
“How local stories become international”
The term inspirational talk- is quite daunting.
The very word inspire is dubious- suggesting that a visitation from the muses is all we need to make work which will travel and do well internationally. We all know this is not the case.
I suspect inspiration is not a word I have ever fully trusted- maybe it’s because I’m too Scottish.
I heard a wonderful quote from the American artist ….where he said” Inspiration is for amateurs- I just go to work”.
So maybe what I am proposing in this talk is not inspiring at all- but just some shared hints and clues to keep us working. Which sometimes seems more important than anything.
1 SHERMAN’S MARCH by Ross McIlweeIn- 0 out 9 mins
Seminal film which has influenced so many filmmakers.
CLUE: be yourself. Be honest.
It is HUMAN BEINGS we want to see in films- your job is to liberate the human, unofficial story…
2 DREAMS OF A LIFE by Carol Morley
3.50 in 12.50
Film about a woman called Joyce Vincent – a young seemingly happy and popular woman whose body was found in a flat 3 years after she died- surrounded by Christmas presents.
The director found the story in a copy of The Sun in the Underground and couldn’t get her out of her head…
CLUE: trust your obsession- it is not the story in itself which is of interest but your relationship with it. This is what commissioning editors and funders want to see.
Filmmaker’s sustained obsession is what makes it- not very original but her intrigue becomes ours.
How will you make the story universal?
Withholds picture of her…
Don’t hide yourself as a filmmaker. Your unique perspective is what will make the film and this is what needs to emerge.
Film becomes about the journey to find out who this of it woman was – and how impossible it is to know another person. The poetic truth is what caries it.
3 DIVORCE IRANIAN STYLE – by Kim Longinotto 1997
Mrs Maher 57.07 out 1.05.39
see where whole story of a society can be
working of Sharia Law told through divorce court
looked not for exotic but for commonalties- problems of marriages; the pain of the breakdowns
we become intrigued through stories which are familiar yet different
CLUE: look in small microcosm for universal story – political and emotional become intertwined
cp Rabbit in berlin or Bridget bardot story
4 Naomi Kawase- EMBRACING
directed about loss of her own father, Kawase stretched language of film to try to express rawness of journey to look for past.- play- find own language for emotions
CLUE DON’T BE AFRAID TO EXPERIMENT- MAKE IT YOURS
5 DARWIN’S NIGHTMARE- by Hubert Sauper
in 0- out 6.50
CLUE: Control information = let the story become bigger- allow us to emote if you hold back .Even when injustice burns- info can be controlled to create greater impact.
1. 6Georgi and the Butterflies by Andrew Paounov 2004
In 0- out 9.44
Shot in 35 mm
Story of a heroic doctor trying to find way of keeping home going. The producer Mrtichka Bodzhilova has an incredible knack for making local stories work on the international scene .
CLUE: look for layers- not just story of poverty, of lack of funding- but of courage, of humour, of everything the different spoons symbolise.
7Dark Days- by Marc Singer 2000
CLUE: see people- not victims
Scene 22- pets
CLUE: GO CINEMATIC